The New York Review of Books
New York Review January 16, 2025 cover

Our January 16 issue is now online, with James Shapiro on the Gen Z Romeo and Juliet, Ursula Lindsey on Syria after Assad, Adam Hochshild on the Scopes trial, Elaine Blair on the literature of consent, David Shulman on Israeli indifference, Darryl Pinckney on James Baldwin getting his due, Peter Brooks on Balzac’s ironic passion, Trevor Jackson on capitalism unbound, Caroline Fraser on American evangelicals, Rachel Donadio on Parisian pride, poems by Susan Barba and Pearl Kan, and much more.

 
James Baldwin

Darryl Pinckney
Baldwin’s Spell

In James Baldwin’s writing and public appearances, the social and personal, the spoken and written dissolve into one.

 
Rachel Zegler as Juliet in Romeo + Juliet

James Shapiro
Rebels Without a Cause

In Sam Gold’s Romeo + Juliet, the lovers’ headlong rush into marriage is in tension throughout with the surprising regression to childhood that characterizes so much of the production.

 

Study the Iliad with Daniel Mendelsohn!

Join Daniel Mendelsohn for a six-session webinar on Homer’s Iliad. Auditor memberships are still available!

Enroll Now!
The Iliad
 
Vanessa Springora and Jill Ciment

Elaine Blair
Far from the Seventies

Two memoirs by women remembering their youthful relationships with older men complicate the definition and implications of “consent.”

 
An opposition fighter with a broken bust of the late Syrian president Hafez al-Assad

Ursula Lindsey
Joy and Apprehension in Syria

There is widespread relief after Assad’s fall, though no one is more aware than Syrians themselves of the dangers and challenges that await them.

 

On the NYR Online

Erastus Salisbury Field: Leverett Pond, circa 1860–1880, as reproduced in American Naive Paintings, edited by Deborah Chotner

Christopher Benfey
On Leverett Pond

For decades I have thought back to a moment of terror I felt one Christmas Eve nearly fifty years ago.

Sophie performing at the Coachella music festival, Indio, California

Sam Huber
‘The Loudest, Brightest Thing’

The producer and DJ Sophie created a musical language with which to explore feelings too inchoate—too big, too raw—to be spoken.

 
Subscribe today
 

Special Offer
Subscribe for just $1 an issue and receive a FREE 2025 calendar

Get the deal

Politics   Literature   Arts   Ideas

You are receiving this message because you signed up
for email newsletters from The New York Review.

Update your address or preferences

View this newsletter online

The New York Review of Books
207 East 32nd Street, New York, NY 10016-6305

 
 
Preferences  |  Unsubscribe